Friday, 31 January 2014

Roger Ebert 2000-2010 en iyi filmler

19 Synecdoche, New York 10-9

15 Adaptation 7-8

12 Juno 5-7
12 No Country for Old Men 5-7

11 Pan's Labyrinth 3-8
11 City of God 4-7

9 Kill Bill (1 ve 2) 2-7

8 Crash 3-5

5 The Hurt Locker 3-2


Ebert bu filmleri puanlamadan siralamis, ben de puanlayacagim.(izlemediklerimi cikardim.)

puancilar; atif-eralp

11 comments:

  1. Izlemediklerini de kosaydin. Belki ben izlemsimdir. Basardm kendi notlarimi

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    1. http://www.rogerebert.com/rogers-journal/the-best-films-of-the-decade

      burda var eklemek istersen, ama yarisi puanli yarisi puansiz listelerden haz etmiyorum.

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  2. Listeye girmenin odul oldugu tqrz listelerden fazla etkilndin galba. O gunden beri puanlarin cok acimasz.

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  3. Kafelerde yaptgmiz sonsuz sqyidaki muhtesem listelerin paylasilmadgi her gun bilog biraz daha kan kaybedior. En buyuk ornek tatso listesi.

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  4. izlemediklerini cikariyorum, yarrak gibi oluyor boyle listeler.

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  5. bir listede minimum 10 tane eleman olmadıgında bana çok eksik geliyor. acil ebertin listesinden 1 film daha seyretmeliyim listeyi tamamlamak için.

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  6. Now, with the publication of his first novel, Antkind, he’s also the author of a trippy and metafictional book. This isn’t some sort of Hollywood big-name vanity project of the sort on which Sean Penn lately came unstuck: Kaufman wrote the book, he says, because he couldn’t get work in the movies. “I got the contract to write it in 2012,” he says. “The movie and TV business wasn’t really working out for me at the time.”


    What? The Bafta and Oscar-winning Charlie Kaufman? The guy whose directorial debut was described by Roger Ebert as the best movie of the decade? The neurotic screenwriter “Charlie Kaufman” as adorably characterised by Charlie Kaufman in Charlie Kaufman films? That Charlie Kaufman?

    “My films don’t make money,” he says. “In 2008, the first movie that I directed, Synecdoche, New York, came out, and it lost money. And at that time the movie industry, coincidentally, fell apart because of the economic crisis and studios stopped making movies and started making superhero franchise things. The sort of mid-budget movie that I’ve been working on, there was no outlet for it any more. It just didn’t exist.”

    He’s not the sort of writer who could suck it up and make an Iron Man flick as the cost of making his passion projects possible? “I thought about it,” he admits. “But I’ve never gone past thinking about it. I don’t think I could get that kind of job. No one would hire me for that. And if they did hire me for that, I think probably I would end up giving them something that they didn’t think was usable, because my mind doesn’t work that way.”

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    1. Antkind a preorder basmıştım. 7 temmuzda yola çıkmış, hayvan gibi olacak.

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